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(I am also 100% Not An Attorney.) But its conceivable up to a point that nothing might be really amiss here. Its possible that the artists targeted by Sad But True licensed their borrowed artistic elements from the original creators in fully legal fashion, or that they asked to and the creators said they didnt mind uncredited reuse. Its even possible that these artists were, to a man and incident, transparent with their clients about the appropriative nature of the cover art they had delivered. But I doubt it. (And I saw at least one musician whose band appeared on Sad But True publicly expressing surprise that Landau had lifted pieces of outside work for the cover in question.) Another likely defense that these artists might offer is that their appropriations are protected under the fair use doctrine, which protects reuse of original copyrighted material in such contexts as academia and critical writing. Fair use also protects parody; some examples on Sad But True, such as Landaus Conan knockoff, could also be defensible on these grounds. Sad but Trues founder argues otherwise: Where it gets into a bit of plagiarism is that its clear that the Conan artwork was cut from the original source and then pasted into the digital file for alteration. If you are going to cut and paste from a source, there must be more alteration that simply painting over the piece. If the artist had just painted it himself, there would be many anatomical and detail variations and it would easily fall under the category of inspired by.' All of this said, building airtight legal cases isnt the blogs purpose, and its creator says he doesnt expect or even really want to see these artists suffer legal consequences. Hes more interested in exposing their basic sneakiness: There are issues of legality here, sure.
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The minimal ad simply pictures the hardy tote and elucidates its finer points: it's sturdy, it's crinkly, it's foldable, it's durable, and it's cheap AF. Balenciaga, your move. Gucci Upon Gucci Are you surprised that Gucci sales have risen 50% in the last quarter (numbers not seen for the brand since Tom Ford made it sexy)? Alessandro Michele's complete fashion domination is not limited to taking over the closet of Jared Leto and, well, every famous person ever. No, the people want Gucci and by God, they will have Gucci. Industry Moves Dior_Store_MWM.jpg Courtesy of @LVMH In more complicated fashion news, LVMH has announced its plans to almost, sort of, fully own Christian Dior after over 30 years of part ownership. The Arnault family will buy out minority shareholders for control over the haute couture line, men's and women's ready-to-wear, shoes, and leather. The company Christian Dior will still exist and still have stakes in capital and all sorts of other complicated business things, but honestly all you need to know is that LVMH, which already owns Berluti, Givenchy, and Louis Vuitton now also has Dior, making it an even bigger power player on the luxury market than it already was. End of an Era J.Crew announced this week that Frank Muytjens, head of menswear design, would be leaving the company along with 250 of it's employees (oh, and Jenna Lyons). Clearly this brand is working on some major changes. Menswear folks are sad to see Muytjens goafter all, he's been helping swagless bankers have a little preppy pep for years, a style contribution that can't be overstated.
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